Presenter Resources

Dai Matsuoka in Falling Out Courtesy of John Michael Kohler Arts Center 1520.png
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FALLING OUT



DESCRIPTION

Endlessly inventive theater artists Jessica Grindstaff and Erik Sanko offer an emotional call to climate action. Inspired by the catastrophic 2011 tsunami and Fukushima nuclear disaster, this rippling meditation on water, heartbreak, and toxic fallout fuses contemporary flex dance and Japanese butoh tradition with Phantom Limb’s singular style of puppet theater. Created in collaboration with Dai Matsuoka of the transportive dance troupe Sankai Juku, Falling Out weaves music, movement, and design into a haunting tapestry of collective collapse and renewal.

VIDEO

Performance documentation of November 12, 2018 at Brooklyn Academy of Music Edited by Sierra Urich

TECHNICAL RIDER

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SCHEDULE

Per Presenter

Pre Hang

1 Day Before 1st Performance

Load In
Lighting / Video Focus
Assemble Bags
Sound Quiet Time
Video Dark Time
Lighting Cueing
Tech with Costumes

Day of 1st Performance

Technical Notes / Rehearsal
Dress Rehearsal
Performance

PERSONNEL

# Personnel

    • Director
    • Production Manager
    • Stage Manager
    • Audio/Video Supervisor
    • 6 Performers
10 Total Personnel

MEMORY TELEPHONE

  • The Memory Telephone is a freestanding structure. It consists of 3 towers of box fans (each 4 fans tall), a podium or pedestal holding a telephone with audio recording mechanism embedded inside, and sheets of crinoline/tulle billowing over the entire structure to enclose the ‘telephone’. Sound can be piped into the room via house speakers. There is a video component projected on the tulle that can be as technical or basic as the presenter deems necessary.

MEMORY TELEPHONE RIDER

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PRODUCTION HISTORY

UPCOMING

  • Utah Presents, January 15, 2021

TOUR HISTORY

  • LMCC Govorners Island Residency, October 2016

  • John Michael Kohler Center, Workshop Residency, April 2018

  • OZ Arts Nashville, Regional Premiere, October 2018

  • BAM Next Wave Festival World Premiere, November 2018

  • Georgetown University/Kennedy Center for the Performing Arts, April 2019


PRESS

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PROGRAM COPY

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